Extras (separate disc): Behind the Scenes, Bonus Footage, Fetish Menu, Outtakes, Still Gallery, Trailers.

This is the title Gina Lynn fans have been smacking their lips for.

Stone-cold gorgeous with big blonde locks, a smoldering kisser and dazzling white teeth, built like the proverbial brick shithouse, this half Italian/half Puerto Rican/all woman über babe has for a few years now been one of the industry's most glamorous wet dreams, though a bit on the tame, middle-of-the-road side. Now, in the hands of Jules Jordan, she finally gets very down and way dirty, treating viewers to such died-and-gone-to-porno-heaven visions as gooey, drool-laden head, tons of facials, a messy blow bang, public sex, cum gargling and even that hard-edge epitome - hoisting down man muck straight out of a glass. So what if she doesn't take it in the back door? This is far and away the nastiest thing Gina has ever done. And even if she's not the dirtiest, no-holes-barred performer around, her stunning beauty more than compensates. What a supreme piece of ass. Take that Slim Shady.

Each of the six scenes (plus a bonus one on the separate extras disc), featuring Lynn in a variety of dick-stiffening, frequently fetish-flavored outfits always including huge whore heels, is a wank-fest, usually containing lots of in-your-face tease care of her mouth watering ass and giant chest.

Highlights include scene two's hot (literally - Gina's chest melons get the hot wax treatment) threeway with real-life boyfriend Travis Knight and hard-edge queen Belladonna, who does the title's only anal. Scene four is a threeway with Jordan and Knight, which ends on a, well, seminal, sordid career note for Lynn as she chug-a-lugs two semen shakes from the aforementioned wine glass.

Scene five, meanwhile, has Lynn, damn near the embodiment of lust in fishnets, black PVC corset and huge black heels (her look all but screams PORN QUEEN), doing a Feeding Frenzy-like blow bang complete with goo gargling.

This reviewer rarely hands out perfect AAAAA ratings, but in this case, an exception is being made. Pre-nom Gina Lynn's Darkside for Best Gonzo Title, and, largely because of her work in it (plus crossover connections to Eminem and The Sopranos), Lynn for Female Performer of the Year.