If only there were one nominations-worthy scene in this excellent production, I'd feel a little better. Each and every sex scene just (and I mean just) misses the mark of total excellence — even the truly wonderful girl/girler with Melanie Moore and PJ. Sparxx. Still, sound, music, lighting and videography are all excellent, and director Canterbury should be complimented on his effective use of mirrors, particularly in the opening scene between T.T. Boy and Isis Nile.

The story is simple enough: Tony Tedeschi has just caught his wife (Isis) sitting on her lover's face (something she won't do for him), and he's gone to a bar to drown his troubles with the help of friend Peter North. North and Tedeschi talk a bit, especially about their weird professor in college (Mike Horner), who used to seduce women by getting them to sit on his "throne" (a converted toilet seat). Horner would lick their (in this case, a truly ravishing-looking — and generally silent — Deborah Wells) pussies, leading to a furious gurney-top fuck.

Peter says it's easy to get a gal to sit on his face, and proves it immediately with Kaitlyn Ashley right on the bar-top. Saddened further, Tony borrows Peter's key for a place to sleep that night — but the moment he steps in the door, Peter's roommate (Melanie) jumps and subdues him — then forces him to watch her and PJ. lick each other like it's free popsicle day at the ice cream factory. Finally, Tony wanders outside, only to find hooker Sahara Sands, who does sit on his face (and cock) in the tape's least interesting scene. PJ. on the cover should sell this to her fans, but retailers should definitely recommend this to anyone looking for well-shot hot sex.