It's 1967 Vietnam, and grunts Jon Dough, Sean Michaels and Jake Williams are waiting their turn in a whorehouse for some fortune cookie nookie. Williams is first up, entering the chambers of Asian butterfly Melanie Brooks, who does a very authentic Vietnamese accent. Brooks is made up to look a little too much like she's just come off the boat; on the other hand, this is just about the best sexual performance I've ever seen Brooks give.

After his steamy coupling with Brooks, Williams quickly exits for good, forcing Dough and Michaels to converse in order to distract themselves from the sound of overhead missiles. When Michaels complains to Dough that women just can't handle him, he's one of the few people who isn't bragging. Michaels backs up his words in two flashback scenes that feature Kitty Yung and Isis Nile respectively. In his scene with Nile, Michaels also shows that his mouth is as talented as his cock, and Nile coos deliciously when Michaels tongues a nerve.

Dough goes for quantity when he flashes back to his birthday presents which are Tina Tyler and Krista — women definitely worth fighting for, especially when Tyler is sitting on Dough's face and Krista is loving it from behind. Dough is also featured in the tape's finale along with luscious Sarah-Jane Hamilton. Hamilton starts out as "just a friend," but she quickly becomes much more when Dough electrifies her with a smoldering kiss.

Both Michaels and Dough solidify their status as two of the best actors in the business, and in one particularly poignant scene, Dough actually manages some tears. On the downside, the tape bogs down in the non-sex portions as the dialogue between Michaels and Dough is sometimes difficult to comprehend. Taken as a whole, however, this tape is sexually-charged. The big names, coupled with Spinelli's usual craftsmanship, make In the Bush well worth recommending.