Released | Jan 31st, 1996 |
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Running Time | 89 |
Director | David Christopher |
Company | Snatch Productions |
Cast | Peter North, Jill Kelly, Sindee Coxx, Keisha (I), Felecia, Misty Rain, Davia, Holly Body, Jon Dough, Rachel Love, Caressa Savage, Tammi Ann |
Critical Rating | AAAA |
Genre | Feature |
I haven't enjoyed a Pussyman release this much since Squirt Queens! This is Snatch at its best, with seething pacing, drenched in great sex. You know it right from the credits montage - great editing.
The usual Snatch silliness sets it up. The pneumatic Caressa Savage, Pussyman's secretary, slides in what appears to be a talking vibrator with a voice-synth module attached - anyway someone's talkin' dirty while Caressa's jammin'. The Pussyman's secret plans for his next release are missing, which means - Sam Snatch to the rescue! Jon Dough returns as the most laid-back P.I. on the planet, aided by his horny "Canadian" cousin Peter (North) Snatch. Dough doe the "always incredible" Misty Rain.
The P-man tradition, a multi-girl setpiece, is next. A wild staircase tangle of Felecia, Sindee Coxx, Rachel Love and Caressa, complete with toys, affords the usual great angles, but the balustrades sometimes obscure the action. Lucky Peter happens on Holly Body, trying to cram her massive bobs into Jill Kelly's tight snatch. A great threesome, climaxed with an all-time great North cumshot onto the inviting landscapes formed by Jill's butt and Holly's breasts.
Dough runs into Keisha, who sucks him off in a jeep as Jon negotiates two sets of curves - the road, and Keisha's unforgettable tits. They make it as far as the garden before baring the essentials for a sensational b.j.. Davia and Alex, great together recently in several vids, put in their best, highlighted by Alex boosting the petite powerhouse to the ceiling in order to munch her mound before he simply savages her. An all-girl three-way, with toe-sucking, massive dildoes, and banshee wails from Caressa, Tammi Ann and Misty, winds it up.
The settings may not be as elaborate as some of the mansions seen in previous outings, but the variety of settings and sex are totally scrumptious. Kudos as always to the lensing and editing, and a nod to Dino Ninn's music, too. This is what it's all about.