One thing we've noticed about Buck Adams films is that there are usually little autobiographical bits salted throughout. So when buck gets a heart attack after kissing hooker April Adams' tits, licking her pussy, fucking her mish-style and letting her ride his cock, many may remember AVN's gossip item on the attack some months ago.

Then again, did Adams really phone reviewer "Mr. Ross" at 4:30 a.m. and call him a "pinhead?"

Enquiring  minds want to know!

The Adams/Adams scene is one of the best things about Filth, a film with high production values, some excellent sex, but a disjointed story. Buck plays a sex-obsessed, workaholic director being financed by mobster Tony Tedeschi. As Adams juggles call-girls, his assistant/housemate (Missy), his producer (Jonathan Morgan), and his film editor (Austin Moore), it's easy to see why plot elements might get lost in the shuffle. Add that Tatiana, the putative star of Filth, doesn't even take off her clothes until about 75 minutes into the action, and you can see why the rating isn't a bit higher.

Volcanic scenes include Missy being d.p.'d by Tedeschi and Mickey G., after she fucks 'n' sucks the pair in several positions. Then there's Dave Hardman's long on-stage anal plunge of Lovette during the "night club scene" that forms the "set" of Buck's new movie. (Sound familiar?) Finally, Tatiana gives Buck her ass as a birthday present, but not before she strips for him and rides his baloney pony reverse cowgirl-style.

What doesn't work so well is the "night club" orgy. Sure, there's plenty of anal, notably Mark Davis in Sophia Ferrari's ass doggie-style and Claudio in someone else's, but none last long enough to get the viewer off. And before you get your panties in a bunch, realize that the vast majority of the above cast only shows up during the two night club scenes, and fewer are identifiable in any sexual action.