While anal seems to be the niche BSD2 is appealing to, there’s more here than that, like a lot of conventional fucking and sucking with a bunch of facials. Add a girl/girl scene and you have a pretty decent vid. Nothing amazing, nothing you haven’t seen before, but not bad. It looks good, and the performances are professional. If there’s any complaint to be made it’s that the soundtrack is intermittently atrocious.

If just one or two of the sex scenes had been truly over-the-top scorching, this one might have been a four-A video. As it is, it’s pretty damn good. In the opening sequence, Monique titillates Roxanne Hall’s hairless quim with her tongue while taking John Decker’s dick from behind. The girls swap places briefly, then Monique straddles Decker for a little reverse-cowgirl. Decker ends the scene by blowing a full load across the girls’ backsides as they kneel on all fours in front of him. An almost seamless video effect (a pull-out from the image on a big-screen television back into a living room) leads to a strong white-on-black b/g on the couch; also noteworthy is a threesome where Faith Ann Moore takes on a pair of buff brothers in her black-and-white-tiled kitchen.

As is usual for Diver/Elliott, the sex is solid throughout and the videography, music and editing are strong. Wooden acting mars a couple of well-written dialogues on racism and sexism; but in the most effective sequence, a white racist competes with his black “alter-ego” to see who can do the best job of fucking Monique. This time, however, the performances are really on the mark; as a result, the sequence manages to be sexy, funny and poignant all at once.

The final shot of the video is by itself worth the price of a rental.