Andrew Blake has done it again.  He's collected four gorgeous women, including longtime favorite Dahlia Grey and doe-eyed newcomer Kelly Havel (that's her on the box cover) and put them in highly attractive surroundings, from white-tiled Roman baths to lush gardens outside grand estates; from city streets to marble-column esplanades to a balcony opposite the Coliseum.  The soundtrack seems, at times, heavily influenced by middle-eastern music, with much reliance on the dulcimer; but even then, "ambient" sounds like the clack-clack of a freight train occasionally intrude, often to emphasize the urban setting. The images fade from black-and-white to color; from delicate touching to light bondage to hardcore lesbian pleasuring (including a dildo or vibrator or two).

Trying to describe this feature too minutely would be fruitless; everything here is image coupled with sensuality. The feature doesn't so much have "scenes" as moods. Some memorable moments include Grey rubbing, fingering and preparing to shave Havel';s pussy in the spa, and late, similar treatment in front of the bathroom sink and mirror; and Havel returning the favor, sans shave cream, using a lighted Lucite dildo.  Then there's the "Slave Me" section, featuring Grey taking liberties with a strung-up Petrokova, which develops into a four-way lick session; Havel lapping cream from a china dish as Grey, watching, holds the chain to Havel's collar.  Grey tearing Havel's nylon bodystocking, then lightly spanking her with a cat o' nine tails, all in black-and-white, makes a hot contrast to an intercut, color fingering-and licking between Havel and her blond partner.

Strangely, the "high heels" of the title are not that much in evidence, but that's more attributable to Blake's artistry as a director that any wish to deprive those foot fetishists who might have bought the tape solely on its title.  Don't worry; feet play substantial roles in the action, as when one lovely uses her stocking-clad toes to play with another's pussy.

The movie scores half a dozen prenoms, from Best All-Sex Film to Best All-Girl Feature to Best Editing to BEst Music to Best Cinematography to Best Art Direction, and begs favorable comparisons to the now-classic Zazel.