Porn fans my recall that Cameron Grant was Andrew Blake's directorial successor at Ultimate Pictures several years ago, and as the producer here, Grant's influence is noticeable -- director Jonathan Sable has tried to meld Blake's style with his perception of sexual nastiness, and it just doesn't work as expected. Soft-focus camerawork and spitting on pussies are as incompatible as the black-and-white intercuts juxtaposed with the NYPD Blue-style camera moves.

That having been said, there's a lot to like here. Particularly memorable is the girl/girl/girler with Roxanne Hall, Shay Sweet and Dalia. Fisting fans will appreciate Hall sinking all but the thumbs of both hands into Sweet's snatch, with one of Hall's hands later replaced by one of Dalia's in similar action. Add the silver bullet vibe and the red dildo that work their way into various vulvae, and you've got a scene to wet-dream about.

Almost as worthwhile is Shelbee Myne/Tracy Love/John Decker threeway. The gals slip out of their identical white lamé dresses to give Decker his b.j., then Love takes Decker's dong in her butt two ways as Myne dildos herself nearby. And let's not forget Raquel DeVine's very wet poolside blowjob on Brick Majors, ending in a reverse cowgirl, that has DeVine furiously fingering her clit.

Out of six scenes, three are threeways, and the lead camerawork (by vet Jack Remy) is excellent. Too bad he didn't shoot it all, as his type of precision shot is almost required for the show to have the "Blake look" Sable was obviously trying for.