It's a little hard to tell what Dillion Day's commercial, which Gwen Summers helped produce, is actually selling. All we know, however, is that anyone who sees it gets immediately horny and, trance-like, begins fucking whoever's closest. Fortunately, except for one instance, those closest are of the opposite sex.

The sci-fi festivities begin in Evan Stone's music studio, where Gina Ryder goes on the attack and gets plowed in horsie and mish positions, but it's Summers who gets three scenes here: A mish/reverse cowgirl/doggie with editor Marty Romano that also has Summers engaging in a light striptease; a reasonably hot girl/girler in an alley with newcomer Isabelle Camille; and the finale, where Summers has been rescued from the surprise villain by Pat Myne, who takes her pussy from behind in a standing mish/horsie/cowgirl liaison.

Not much plot, but decent productions values courtesy of director Dino Ninn, who's better known for his music and camerawork, both of which are top-notch here.