Not many filmmakers can make you want to reach for the pause button. But once again, Italian maestro Lucas Kazan offers up his latest romantic effort that has frequent artful shots worthy of art gallery consideration. From the opening credits where we get a brief look at smooth, muscular Matthias Vannelli standing outside before a bright blue sky, green trees and rustic home (his beautiful naked backside to the camera) to the opening frame of scene one (where Alex Orioli and Bruno Boni spoon each other in bed to the tune of Tchaikovsky's Capriccio Italian), this is another classic, romantic effort. New find Boni — a strikingly handsome man with arresting eyes and a smooth, muscular bod — is our narrator, sharing his thoughts on Italian studs and the men they love. His scene with Orioli sets the tone beautifully. The two can't keep their hands off each other: I love how Orioli licks Boni's leg as he gets rimmed, and how Boni's excitement is written all over his face. The two release a few loads, one after the beefy yet toned Boni gets fucked. Handsome (and unfortunately clothed!) Ettori Tosi gets in a few slurps on Antonio Rinaldi before leaving him with Lucas Andrades, whose gorgeous lips get in some nice licks. Rinaldi rubs Andrades' body as he fucks him, with the bottom staying nice and hard. The always verbal Jean Franko has his way with newcomer Alessio Mancini's ass, fucking him nice and fast before Marc Dievo and Daniele Montana (who fires off two memorable loads) slow things down again with some passionate embracing and kissing by the pool. Boni returns with Vannelli in the finale, which starts with some steamy kissing as the two rub up against each other in their jeans. It includes some outdoor sucking (the side shot of Boni sucking Vannelli framed by a tree trunk is gorgeous) and indoor fucking, where Boni lets out a series of "Si!" exclamations as he gets rammed with great rhythm. A nice 13-minute behind-the-scenes feature is also included. Pre-nom Best Foreign Release.
