Short, fast black/black scenes longer on sexual energy than on moviemaking expertise. In a single room beset by glare on the screen and a buzz on the soundtrack, a tall, bald man badgers a small younger one for money, then makes him suck donkey dick. A condom appears on it just in time for the man to shove it into the youth, shouting, "That's how it felt when you fucked me, took my fucking money from my people!" He grabs the youth's feet, saying, "I don't want nothing touching me but the inside of your motherfucking ass." In a largely mumbled dialogue, a tall light man convinces a smaller darker one to try the huge cock Tall has dangling. Tall manipulates Dark's tiny body all around to get it in place for his fucking pleasure. He gasps admiration for Dark's "white chocolate cream." On a New York rooftop, speech is drowned out and sun glares, but one can see well enough a tall, cornrowed hunk blowing a black-hankied, bling-swinging "thug" who then buggers him over an I-bar. After an incomprehensibly recorded dialogue on a street corner, another cornrowed looker in a hoodie follows a petite pal to a room where Cornrow, stripped after a shower and hot for a girl who breaks a date, gives the hard-on he had ready for her to aggressive Petite. In a red room, both parties undress immediately when a bearded man comes to call on a baseball-capped cutie with rippling abs. Ball-Cap jacks himself off; the man gets cum in his goatee from Ball-Cap's uncut cock. RETAILING: Five technically uneven, sexually charged black/black scenes. Robert Patrick
