Director Rolf Hammerschmidt returns with the tale of Lukas Wink, a naive young stud who ventures to the big city for the first time without his parents. He soon hooks up with Tobias Haim, another nubile young thing, and engages in some romantic sex to the strains of sweet piano music. But after Haim offers him money for the encounter, Wink decides to try a life of prostitution. First, he hits the local hustler bar, where two cuties are engaging in a bathroom quickie. Even sexy bartender Paolo Galan excuses himself from duty and heads to his apartment to enjoy a bubble bath (and more) with one of the patrons. As for Wink, he is introduced to the attractive but bizarre Hudson Grant. How else would you describe someone who inexplicably wears a mask in the bar, in the bath, on the street? But Wink doesn't seem to mind, and he retires to the bartender's tub for a disappointing threeway scene with Galan and Grant.

Guess Wink isn't satisfied either because he heads to the nearest sex shop and runs into old pal Haim, the ridiculous masked man and most of the guys from the bar. Although two threesomes are going on, Wink chooses to go solo, which is surprising considering the number of hot Czech models on display here.

Hammerschmidt wisely does away with foreign dialogue and subtitles but instead opts for some useless narration that describes the most obvious plot points. The eclectic soundtrack, which features everything from an acoustic version of Love Me Tender to the usual Euro disco, veers wildly all over the place. (One song even sounds like the Who Wants to be a Millionaire? theme song!) Most of the sex scenes are concise and to the point, unlike the endless footage of Wink walking around Munich. Guess someone told this newbie that is what hookers do.