As syrupy string-heavy music plays, Ariel Demure peeks into an oven as Hazel Moore drowsily enters, wearing a shortie satin robe and G-string. "Good morning, cutie," Demure says, with one boob naughtily peeking around her high-top apron. "How did you sleep? I've got sausage, and eggs, and biscuits in the oven..."

"They look really good," Moore replies while eyeing Demure. "But to be honest I'm mostly just hungry for you," she says, dropping to her knees to emphasize the point. The scene that follows gets interrupted when they take the biscuits out of the oven to cool and continues after the pop with them eating the biscuits and a visual pun as the camera pans down past Demure's cock to a plate with a large sausage atop a sunny-side-up egg with runny yolk splooged across the white.

Queenie Sateen follows treasure-hunt clues through her house to her bedroom where Zariah Aura is waiting, gift-wrapped in ribbon. Director Stella Smut makes the most of the similarities between Sateen and Aura, while they make the most of the differences. The scene ends on a romantic note as Aura says, "I was so excited I didn’t give you your ring," and opens a box with an engagement ring.

The finale flips the script by teaming up trans performers Emma Rose and Eva Maxim as time travelers. Rose takes the lead, explaining the primitive technology ("This is how they used to see. It's called a lamp. Without it it would be completely dark.") and having her sit on the couch. When they get to the blanket, Rose says that the primitives used to use it for sex, to which Maxim replies, "What's that?" Rose offers to demonstrate the primitive custom: ""It’s all part of the tour."

High production value and clever camerawork complement the enthusiastic performances here. An excellent introduction to trans material for the curious newbie.