Hell-raiser houseguest Kiara Cole advises her inhibited virginal host Jane Wilde to go for it in pursuing a married man: "Your virginity has power. Virginity trumps marriage every time." Cole even revs Wilde up with a little finger teasing as she tells of her own seduction of reluctant professor Logan Pierce in a moodlit classroom—although Cole admits afterwards that it may not have actually happened.

After a late-night chat with Wilde's father Quinton James, editing nude pics on his computer ("I'm a photographer. It's work. It's not as sexy as it seems."), Cole begs off a morning hike with Wilde and mom Silvia Saige, instead prowling the house, peeking in drawers and cabinets, nude but for James' shirt. After James photographs and gets up close and personal with model LaSirena69, he discovers Cole in his bed, in his shirt. "You want me to take it off?" she asks coquettishly before abruptly sashaying out.

James calls Saige, saying that he wants Cole to leave, but Saige says that Cole could be a steadying influence on Wilde, who is sexually ambivalent: "She's told me she's attracted to both men and women." Cole goads Wilde into fucking Derrick Pierce, with a teasing promise that Cole will be waiting when she gets back. Wilde presents her proposition to Pierce matter-of-factly, saying she has a friend who's been pressuring her, as if she's being tested—and she wants to make the friend jealous. Pierce initially resists, but gives in. When Wilde comes back to the bed she shares with Cole, Cole is pleased, saying, "There's power in making people do things that they might not want to do. I like the power." Cole's follow-up "I'm kidding" rings false. 

Next morning, Cole offers to pose nude for James, who refuses and calls his wife, this time demanding that Cole get out: "I don’t want to be alone with her." Cole comes to him, carrying James's pro camera, and says, "Just one photo, then I’ll leave you alone." He takes one picture. And then another... 

Open-ended final scene implies that Cole plans to fuck her way through the whole family. 

Mike Quasar's top-shelf low-light camerawork adds to the mood in several low-key scenes. Kudos.