In porn history, there was a time before the San Fernando Valley and its silicone blonde queens ruled the day. In that time, New York City was where luscious, decadent filth was produced and viewed in theaters. Here, director Joe Gallant brings that time to the present, and he does so with an excellent spirit.

The last words on the screen in the credits for The Luv Generation simply say "SEEK TRUTH." This sounds like simple advice, but it's not in the realm of today's pornography; yet Gallant achieves that here with the deviants he has cast. Shot at Collective Unconscious Theatre on the Lower East Side by five different cameramen, there is something for everyone, and if you can't find something that turns you on in this cavalcade of flesh, there is really no hope for you in this world of ours.

There's a beat poetry group performance intro, boy/girl, girl/girl, threeways, b.j.'s, a threeway all-male scene with oral and ass fucking, anal in many variations, urination (no one is shown getting peed on), S/M, bondage and paint enemas displayed in the three hours this piece rolls on.

The sex on display here is pure hedonism at its finest, with the people here really just having fun and having the kind of sex they want without judgments. It's the kind of video where cumshots don't dictate a scene's success. The quality of the footage depends on who's shooting at the time, but it's all worth seeing for the type of porn freedom it represents.
There are 13 individual sex scenes, some abbreviated with various bits of goodness interspersed throughout. So here are some highlights along with this reviewer's nominations.

A Most Outrageous Sex Scene Nom goes to Lucy Lucy, Star and Jamie Gillis for some paint enema play where Gillis notes his complete disappointment that Lucy had an enema beforehand, so no multi-colored shit will come flying out, and to Kali and her pissing off a balcony scene. Best Solo Scene to Myra Moss for the vag and anal show she gives some non-believers. Best Oral Scene to Erika Kole and Gillis for their hummer floorshow that goes on as the band plays. Best Music to the band (Matt Katz Bowen, Francisco Hiawatha, Jimmy Bassiste, Jaughn Smythe, Richard Dworkin and Maria Cantina). Best Director - Non-Feature and Best Editing to Joe Gallant for the entire affair. Best Pro-Am Release to the all the magic.