Released | Jun 01st, 2000 |
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Running Time | 88 |
Director | Frank Thring |
Company | Private Media Group Inc |
Cast | Jeremy Steel, George (V) (Czech), Frank Thring, Michaela Lee, Pity Rain, Ariel (I), Olivia De Treville, Nicol Taylor, Martina Mercedes, Meridian (I), Mark Giacomo, Katherine (I), Ellen (I), Csoky, Lara (I) (Hungarian), Frank Gun, Kamil Klein |
Critical Rating | AAAA |
Genre | All-Sex |
Meridian and Frank Gun are a happy young couple in Prague. She dresses in a red latex merry widow to tantalize him, and the sex sizzles from the start. The girl is good to go, and seems to be hornier than he is. She will go to no end to please her man. Happily ever after comes to a screeching halt right here, though, just when the viewer might think that a couples tape has begun.
While walking down the street on a dark night, Gun bumps into a flaxen-haired beauty in a trench coat, Martina Mercedes. Martina drops a big black dildo and gets more than Gun's curiosity up. He follows her to The Club and all hell breaks loose. Mouth agape, Gun watches as the clubsters partake in an MTV-esque orgy, with Martina center stage. Now she has her dildo strapped on and is going to town, fucking Mark Giacomo's ass with abandon. The girl is into it, totally. Her facial reaction shots say it all.
Disturbed by what he has seen, Gun is plagued by erotic dreams of The Club, and eventually breaks it off with Meridian. Does he need his head examined? When he follows Martina to the roof, he is bound and gagged by a pair of hunky studs who then double team Martina. When Martina frees Gun, he needs to know if she is Dominant or submissive. She pushes him down and forces him to lick her boots.
The Club is more that just a fetish-wannabe tape. The cast is composed of lip-smackin' Euro-babes and -studs. There is not an ounce of silicone to be found and there is a noticeable absence of both tattoos and body piercings. The sex is hot, hot, hot, with two orgies and plenty of anals, d.p.s and facials. Pre-nom Martina Mercedes for her role and pre-nom J.J. Gasset for the editing.