In a dimly-lit garage, Little Dragon walks up to Dave Candle, kneels in front of him. She takes offense at something he says, stalking off with a petulant, "You blew it!" but relents and asks, "What's your favorite color?"

"Blue."

"I like green," she purrs, taking a wire cutter and snapping a green wire on the bomb strapped to him before picking up a valise marked BOMB SQUAD and cheerfully announcing, "I saved your life!"

Yep, the sexy redhead in the Little Black Dress is a bomb technician. Candle wastes no time expressing his gratitude on the massage table that suddenly appears next to the luxury cars in the garage, with one defiantly facing out under a HEAD IN ONLY sign, the better to show off its DEEPER license plate.

In a high-rise apartment, Seth Gamble packs BDSM gear in an attaché case, then peeps on Kazumi unpacking in a nearby building. When he knocks on her door, Kazumi says she is subletting the flat and asks if he's Seth. "She left something for you." She hands him a boxcutter and he opens it, slowly unpacking the BDSM gear inside. She eyes the crop: "How would you use that?" He walks around her. "I'm not a virgin, if that's what you're thinking." When he reaches for her, she slaps his face. He smiles. Game on. He blindfolds her with his tie, pulls down her tank top, starts whapping her ass with the crop. He leads her to bed and light-doms her through the high-energy scene that follows.

Derek Savage and Kai Jaxon are packing boxes in a van when boss' wife Ellie Nova—in a sexy black dress—walks in and tells them to be careful. "Derek has good hands. Do you have good hands? Let me see your trigger finger." She tastes it, then moves on to tasting Savage's other body parts and fucking her way through the furniture in the warehouse, including a bondage bench.

Scarlett Alexis taps away on Tinder and catches boyfriend Kane Kobang cruising the site, looking for a threesome. When she confronts him, they flip a coin to decide who gets to choose the third playmate. She wins. Enter James Angel. She revels in being the center of attention.

Scene set-ups serve as a springboard for solid action, with high production value and enthusiastic performances.