The first parts of a continuing soap opera.

Sister Katherine has gotten caught kissing Sister Kara at the temple, and is brought to President Nelson's office, where he orders her to undress and get on all fours on his desk. He pulls her cheeks apart and gives her private parts a thorough inspection—including a little fingering—while she whimpers in humiliation. When he orders her, "Get down and kneel in front of me," he gives her a finger to suck, and when he bends her over his desk and says, "I want you to play with yourself," she complies. When she finishes, he tells her, "Get dressed."

A title card leads in to the next chapter, where she meets Sister Kara and they kiss again. A lot. All over. Sister Katherine gets on a massage table on all fours, a callback to the desk scene, but there's no humiliation this time. The title card tells us that Kara and Katherine were forcibly separated and Katherine was placed before a large white veil and told "she must satisfy whomever she's married to, and the test of this obedience is at the veil itself." She kneels in front of the veil and a cock pops through it. She begins to suck it, and for an innocent religious girl she's pretty adept at cock-sucking technique, all the way to swallowing the load. 

Having proven her humility and obedience, the next title card says, Katherine is brought to the chamber of "the infamous seed bearer." She is anointed by middle-aged, greying-at-the-temples President Oaks, and then undresses him and sucks him, followed by her bending over a table (callback!) and getting entered from behind. They finish in mish, where he spills his seed over her middle.

No longer a virgin, Katherine is ordered to bring another girl to the temple, where Kara is waiting. They kiss and caress the new girl, and she pleasures both of them. Kara's jealous glare as Katherine kisses the new girl says volumes. Having proved herself, the Seed Bearer gives Katherine to President Nelson, who has her wash his feet as an act of humility before he takes her in a bed while Kara watches.

Arresting razor-sharp images and eye-catching sex, but the storytelling is disappointingly conveyed almost entirely through the title cards rather than through dialogue or acting, both of which are frustratingly scarce in this otherwise compelling production.