Five scenes involving French secretaries (with glasses) and the men who fuck them.

There is no language menu for this Marc Dorcel movie, which should give you some idea of the depth of characterization and importance of dialogue. There is none. Just five scenes of white-hot women getting down and dirty in a "business" atmosphere. Like Anissa Kate on a cabin cruiser with James Brossman. Maybe all Parisian lunch hours don't include a trip on the Seine and some nookie, but this one does.

The next scene involves Hannah Sweet and Sophie Lynx first taking their lunch in an urban park and then returning to work under the watchful eyes of a boss-type guy who watches them get all girly/girly until he gets up and adds some penis to the proceedings in a lengthy, involved, anal-inclusive scene. When the digital clock goes from 16:59 to 17:00 (helpfully subtitled 4:59 pm/5:00 pm) bespectacled cutie Tina Hot gives boss man Brossman a goodbye blowjob, and when Mugur drops by to watch she turns her oral attentions to him too, until he splits. Commuter train maybe. Brossman finishes the anal-inclusive scene with a mighty pop over Hot's ass. Keep an eye on her, she shows potential.

Anissa returns with a two-guy scene over a desk, with her getting plunged fore and aft as she lies across the desk, then getting d.p.'d on top of the desk before taking a double dick salute on her face and tits. Anchor lap goes to pert Alessandra Jane, whose backlit scene in front of a large window shows just how far some secretaries will go to get ahead.

Dorcel continues to be the gold standard for casual Euro-sex, with way-attractive, surgically unaltered performers getting together in exciting ways. The casual-sex attitude is reinforced by selective use of condoms, which may be a deal-breaker with viewers for whom way-attractive, surgically unaltered performers getting together in exciting ways with condoms is a bad thing.