Director/performer Angelo Godshack offers this collection of six no-frills scenes all in a stylish set with a slatted wall with a conspicuous AGO (Angelo Godshack Original) logo behind the bed or a modern living room with a black couch. 

Areta Ridera takes the first turn, pensively biting her lower lip as she pushes aside the crotch of her panties and pulls her camisole down over her shouldersfor camera inspection. Angelo joins her at the bed, fingering her pussy as she strokes him to attention. After some oral attention to her pussy, he heads straight to the A, telling the camera operator, "I think is good position for the stretch ass," before moving on to rimming, gaping, A2M, foot-jerking and a cream pie finish.

Maddy Black surveys the camera while kneeling on the black couch, pulling her little pink dress up and down so she can play with her boobs and pussy. Godshack interrupts her finger-fucking her asshole to put his dick in there as she looks up at him with an about-time-you-got-here pout. He moves up to fucking her face and revs her up to a major squirt as the camera operator (safely out of range) chuckles. The itinerary also includes anal piledriver before Black takes the facial finish and smilingly flips off the camera at the fade. 

Scene three starts with a tight close-up of Emily Belle in a see-through bodysuit, giggling self-consciously as she teases in front of the bed. She strips off and is fingering herself when Godshack steps in, naked, and says, "Hi." Relieved, she says, "Hi"—at last, I'm not alone out here—and he leads her to the bed, saying, "Now you play with me. Be playful, baby. You know what to do." She wastes no time, sucking him with one finger up his ass and then climbing on to tease him with her butt crack before putting him in there. The camera catches them at a canted angle so her torso fills the frame before he flips her over into a mish. The camera zeroes in on her facial expressions of pleasure as he runs her through much of the Chatsworth Kama Sutra, including foot jerking, and ending with him stroking into her mouth as she dirty-talks him and fingers his prostate. 

Cléa Gaultier takes the fourth scene, beckoning the camera with her index finger and lasciviously licking her lips before doffing her white dress to display her embroidered bra-and-G-string set. Godshack interrupts her twerking by inserting into her pussy—say what?—before moving up an inch to her ass. He stays there for quite a while as the camera comes around to catch Gaultier's facial expressions as he leans back to change the position to reverse cowgirl. There's substantial anal in this scene before the cream pie finale.

Blonde cutie Jessie Ames plays up her youthful look with a tank-top-and-panty set branded with a well-known cat character with a hair bow, and follows the feline branding by getting on all fours and stretching. Godshack revs her up by tonguing and fingering her kitty before driving into her ass. Ames role-plays the knowing innocent here, crossing her eyes, theatrically moaning, and mugging into camera—but also shooting her leg straight up in the air so the camera can catch her gape, taking the anal and the A2M without a flinch, and foot-teasing Godshack's balls as he strokes to finish on her feet. Dynamite scene.

The finale with Helen Star mixes up the color scheme, putting her in black tights with a white couch replacing the bed in front of the slatted wall. Godshack gallantly lets her stay clothed for the preliminary blowjob before ripping the tights open for access, starting an energetic scene with ass-pussy switchbacks, rimming, a cream pie finish and another grinning flipoff at the fade. Maybe it means something different in Europe. 

Godshack is a capable performer and highlights his scene partners well. The lengthy three-and-a-half-hour run time makes the highlights all the more rewarding.