While there’s really nothing “gonzo” about this ode to adult superstar Riley Steele, it is a sensational piece of erotic moviemaking that does present the former Digital Playground contract girl in a light previously unseen, albeit of an aesthetic caliber commensurate with her ultra luminary status.

It also marks a number of firsts for both Steele and her director/new employer Axel Braun: Their first project together as contractor/contractee, Braun’s first movie to be distributed under his new deal with Wicked Pictures, and her first true star showcase.

The movie opens with Riley playfully running naked through a vacant, grungy warehouse, a suited Erik Everhard giving chase. When he catches her, they tear into each other right then and there, going at it atop a stack of broken down cardboard boxes, Everhard tying his belt like a leash around her neck, where it remains for a good half the scene. Riley is ravenous in this explosive leadoff, emanating bliss no matter the contorted position.

Next up, she doubles down with two top industry woodsmen—Ramon Nomar and Toni Ribas—cooing to the camera beforehand, “There’s just something about those European men and the way they fuck me … I just love that uncut cock.” This scene takes place in a brightly lit sunroom, a glammy contrast to the grit of the preceding setting. Oh yes, and Ribas makes Riley squirt toward the end.

For the midway event, she ups the ante yet again by taking on three cockslingers (though only orally), this time all rendered faceless behind ski masks and circling around her to jockey for mouth time in a dirty, dingy bathroom.

Things take a turn for the soft and pretty with the final two scenes, the first pairing Riley with fellow Axel Braun Productions contract star Aiden Ashley for a sultry lez sesh in and around a pool, and the second featuring Riley going solo beside a brick water fountain.

Many have yearned for years for a movie like this focusing purely on the sex beast side of Riley Steele and nothing but, and for all of them, Riley Goes Gonzo should come as an unequivocal cause for jubilation.