Clad in only tiny, black thong panties, attractive, small-breasted Renee is bound and tied at the ankles and wrists with bright, white rope in front of some type of metal gate. She has golden-brown skin and only the slightest trace of hair on her pubic area. She struggles and lets out little sighs of distress, twisting and trying to maneuver her way out. The camera gets plenty of close-ups of her legs and feet. Later, her panties are gone, and Vince Benedetti is seen tying her again in a slightly different position. A rope runs between her legs, separating her labia. In the scene's last few moments, Renee is seen lying on the floor, hands tied behind her back, and her calves tied to her upper legs.

Suddenly, the shot fades into Hannah's scene. Hannah is tall, with delicate, thin limbs and porcelain skin. She wears a black bustier and has a black handkerchief over her mouth. In a drawn-and-quartered-style position, with cuffs attaching her arms to a wooden sawhorse, she has a red rubber ball-gag in her mouth. She looks into the camera, her light, blue eyes clearly showing her very distressed and disturbed. Thrusting her hips and crotch high into the air, she struggles in vain. Then, she's tied in a standing-up position, with ropes coming from every direction, pulling and tugging at her. (She looks like some bizarre marionette.) She strains against the ropes. Finally, Benedetti ties her to an 'X'-shaped cross while he firmly squeezes her model-perfect tits and lightly chokes her neck.

The music supplied is fast-paced, high-energy techno.