With her sister (Kenzie Reeves) nowhere to be found, a beautiful, young policewoman and advocate (Kenna James) and her sleuthing girlfriend (Shyla Jennings) set out to find the missing sibling in Reform School Girls 4. Little does the pair know, however, Kenzie's being held captive at an abusive, unchecked institution led by a cruel and vengeful martinet (Helena Locke) who is not only a generally evil person but also has a personal axe to grind with James. Indeed, Reeves' very life is at stake in this exceptional, lesbian-themed feature from director Ricky Greenwood and Sweetheart Video ... and it's up to Kenna to save it.

Featuring a compelling plot, strong acting and high-end cinematography, this is an inherently watchable release from Greenwood and company, sure to wrap the viewer up in its storyline from the onset, and keep her or him anxious to see "what comes next" throughout.  

Of course, the sex—while at times intentionally dark in tone—is also typically scorching and is befitting of the goings-on as well, folding seamlessly into the overarching narrative. Included is a furtive, nighttime fuck between two inmates, Bella Rolland and Rocky Emerson, who sneak out of their rooms for a steamy rendezvous. This shadowy, window-lit affair is both passionate and involves tongues, scissoring and 69ing. 

Jennings and James share a romantic moment (and romp) in their mutual bed after discovering Kenzie's alias and general location. Again, this loving and sexy sequence includes fingers, tongues and scissoring in carrying out its carnal themes. To be sure, Kenzie also gets in on the action with a sympathetic guard at the facility, the leggy Anny Aurora, as their kinship evolves into much more. This luscious lez-fest offers up its own share of oral and digital debauchery, as well as muff-rubbing that provides an erotic visual in highlighting the contrast in size between the participants. 

Closing out this fine flick are Helena Locke and Penny Pax, the former of whom rewards the latter with the opportunity to share in foot worship, domination and carpet-munching madness. Clearly, Greenwood has delivered with this excellent and well-rounded release.