[Girl + Boy + Squeeze Bottle of Oil + White Leather Couch] x 4 = Oil Explosion 9.

Katrina Colt teases with a confident smile in a white bikini, shiny lavender crotchless tights and psychedelic-patterned ankle boots, her skin glistening as she squeezes oil down her front and it pools on the floor. This segues to her kneeling in front of Vince Karter as he drips oil down his front, leading her to open his shorts as he moans, "Stroke it, stroke it, suck it, suck it." Karter leads her through pretty much the entire Chatsworth Kama Sutra, including face-fucking, doggie, anal, cowgirl, reverse cowgirl, head-hanging-down face-fucking, and piledriver with ass/pussy switchbacks, encouraging Colt all the way.

Jewelz Blu anoints herself and her blue dress in the tease, fingering her butthole (two of those manicured fingers have short nails for a reason) before oiling Seth Gamble's black Elegant Angel branded shorts. He slaps her ass twice before Myne cautions him "No spanking" from behind the camera. She mouth-dives onto his cock, deep throating him and twerking with a pink (!) plug in her ass. Unlike the extreme-sports gymnastic exhibition in scene one, Gamble sticks with standard positions (okay, piledriver) and Myne focuses attention on Blu's expressive face.

Under moody music, Raven Lane's shiny red zip-front dress gets even shinier with an application of oil, as does her shiny black zip-front bikini bottom. She relieves Parker Ambrose of his black Elegant Angel branded shorts and gives Little Parker a squirt from the squeeze bottle before sampling the goods. Their quiet, intense scene is a counterpoint to the loud vocalizations in what came before.

Emma Hix starts her tease with her bra half off, the better to oil up the girls, before Alex Mack joins her, his erection straining the front of his well-oiled black Elegant Angel branded shorts as she dirty-talks him. Hix gives a clinic in dirty-talking here, aware of the camera but not playing to it throughout the scene, focusing her attentions on Mack instead. 

Director Pat Myne eschews fancy camerawork and post-production editing, opting instead for no-nonsense real-time single-camera coverage, letting the performers set the pace and build the scenes' enthusiasm—and still bringing in all four scenes at an economical two hours 17 minutes. Well done.