Elizabeth Skylar is a dramatic writing teacher caught up in the stories she finds on the Mother Exchange website, framing the vignettes here. First up, Syren De Mer invites Sophia Locke and stepson Ricky Spanish to her summer home, bringing along her son Nathan Bronson ("He's such a handy fellow") to help with repairs. When Locke flirts with Bronson, he isn't buying—"Wouldn't that be inappropriate?"—but he's intrigued, and when he comes in to check out Locke's room, she invites him to try the bed ... and they do. Meanwhile, in the kitchen, DeMer finds Spanish's dishwashing skills lacking, so she finds another way for him to help around the house: Keeping the hostess satisfied.

Skylar's screen scrolling is interrupted by colleague Annie King, who asks if she's still reading that website. Skylar sheepishly admits it, and adds that she's thinking of writing a story of her own "under a pseudonym, of course." King tells her that the stories aren't fiction, and DeMer works here, at this college: "A friend who works on the volleyball team told me all about it. Do you think we could rent her cabin?"

"What's your stepson doing this weekend?"

CUT TO: King and Skylar exiting a Jeep with Max Fills and Parker Ambrose and entering the same cabin from scene one. While King and Skylar unpack, Fills fills Ambrose in on the Mother Exchange website: "I heard my mom talking to your mom about it. Check this shit out. Just play along." Fills invites King "to pick some berries," but they wind up inside ("It's too hot to pick berries") and after some I-know-and-I-know-that-you-know banter, they get what they came for. And when Skylar gets Ambrose alone, he shortcuts her preamble but she holds him off just long enough to preserve the illusion that she's the aggressor.

Writer/director Mike Quasar pushes the trite premise just far enough without lapsing into satire, winking at the audience to let the viewer in on the joke.