Released | Jun 07th, 2022 |
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Running Time | 123 Min. |
Directors | Ricky Greenwood, Anatomik Media |
Company | Modern-Day Sins |
Distribution Company | Pulse Distribution |
DVD Extras | Still Gallery(ies), Trailer(s) |
Cast | Mickey Mod, Liv Revamped (aka Liv Aguilera), Cadence Lux, Isiah Maxwell, Whitney Wright, Christy Love |
Critical Rating | AAAA |
Genres | Drama, Marquee, Featurette |
It is said that make-up sex is the best. In these two lengthy scenes, it is the opposite. These couples skip the make-up and forgiveness phase after intensely arguing and instead take their aggression out on one another physically and mentally during sex—with their lengthy buildup of emotions serving as a form of foreplay.
In "Bringing Out the Worst," Cadence Lux and Micky Mod go out of their way to piss off and insult each other, and this starts the escalation of their antagonistic feelings to controlling sex as Lux is roughly forced into mental and sexual submission by a dominating Mod. Lecherous anger controls their actions—and their libidos. Apparently this is their thing, as once everyone is satisfied, the brief ending has them both smiling and all lovey-dovey.
"Reverse Psychology" begins with Whitney Wright and her patient Isiah Maxwell straddling and kissing one another as they keep repeating how bad it is to cross the line—this is their way of justifying that bad is good as he repeatedly tells her she is the only girl in his life. Just as they almost get into it, she halts the action and calls in two of his other girlfriends, and the flabbergasted liar is forced by the now trio of avenging soon-to-be-exes to be their slave and service them, as needed, and as they demand.
Maxwell, visibly embarrassed and intimidated by them ganging up on him, obeys their commands and orally stimulates, rides and follows their demands up to where they triple up on and simultaneously go down upon the now lucky stud. A shared three-way facial pop ends the sex and the girls—now obviously “closer” friends—talk, dress and leave together, totally ignoring the bewildered stud.