As an excited DJ touts Kira Noir's upcoming "sexual performance," Noir steps out of a black SUV, struts into a building through the EXIT door, and enters a luxury suite with floor-to-ceiling windows before stripping down to strappy magenta lingerie and bidding a minion to "call down and ask for the usual, then you can go." Hollywood Cash enters to deliver "the usual" and when Noir catches him sneaking a cell phone picture she asks, "Do you want to fuck me?" She teasingly tells him, "Stroke it for me," as she gigglingly supplements his stroking with some mouth action, cooing, "Do you think you can make me cum?" She fucks herself with a toy while foot-stroking him before the actual fucking begins, her smiles and giggles reflecting the casual nature of the scene. At her invitation, Cash captures his climax on his cell phone, bookending the sneak pictures he took at the beginning of the scene.

Scene two has Our Girl Kira trying on stage outfits with wardrobe mistress Queenie Sateen, who spies Apollo Moon and Xander Corvus peeping and confronts them with a reproachful, "What are you doing?" When they don’t have an answer, she tells them, "Go service Kira." They follow her instructions, and Sateen gets in on the action as well. 

Noir dances in a go-go dancer's cage by a stack of TV monitors, suction-cupping a dildo to one glass wall and giving it a sloppy b.j. as Ameena Green wields a camera. She summons Emma Rose to shove some fingers down her throat before Green joins them for a three-way with the monitors adding visual grace notes.

The coda is the "sexual performance" touted at the beginning, a massive 23-participant orgy with everybody who already appeared back for seconds, along withDemi Hawks, Jena LaRose, Katerina DeVille, Kendra Cole, Linda Lan, Liv Revamped, Adonis Breeds, Alex Mack, James Bang, John Strong, Johnny Goodluck, Ken Feels, Mighty Dee, Nade Nasty and Scott Nails. Noir is the centerpiece of the action and the vid concludes with a jizz-covered Noir on a black couch surrounded by participants shooting video of her on their cell phones.

The uncredited director and editor take full advantage of the editing possibilities, with wipes, split screens, pop-up dialogue and stutter edits—often in sync with the jazzy soundtrack—adding visual and aural punch to the performances, and the four scenes come in at a tight 94 minutes. Nominated for Best Star Showcase at the 2025 AVN Awards.