After a heavily edited action-packed intro, Fuck Angela settles down—a little—with Angela White in shiny black leather, playing with her boobs as Jules Jordan asks, "Are you ready to get old-school today?" and Angela responds, "I'm ready to get fucked in the arse." She struts up the stairs as Jordan focuses his camera on that arse (no surprise there), and when Zac Wild approaches from behind, she grabs his crotch and marvels, "You're so fucking hard already!" then pulls down his sweatpants to prove she wasn't just pep-talking him. Wild plows into her from behind as she yells, "Don’t stop just like that yes yes yes," and then Wild pulls the glass plug from her arse, parks it in her mouth, and replaces it with his cock. Wild goes at it full-throttle here, stopping just long enough to finger White to a squirt before getting back to fuckin'. He pops in her mouth, which Jordan captures from under a glass table as she licks up the overflow, and then Wild fingers her to another squirt with similar results.

Director Mike John brings the action to a familiar location house with familiar co-star Lexington Steele, who wastes no time dropping trou and using his dick to slap Angela on her red-fishnetted butt. She takes the lead in the scene, voraciously gobbling Steele's wang, jumping onto him in cowgirl—twisting her hips like an Olympic gymnast—and loudly encouraging him when he's on top.

White goes solo in the next scene, purring, "I can't wait to show you what a dirty slut I can be," before suction-cupping a clear dong to a mirror and giving it a sloppy blowjob, with the mirror adding a visual stereo effect, before moving on to a d.p. with some hot-pink dongs. The fakes are the co-stars here, double-teaming her mouth, standing tall on a mirrored table as she drops onto them, and giving her ass some action as well, as she dirty-talks right into camera.

Chris Streams takes the director's chair for the next go-round, a b/g/g with Angel Youngs and Euro-stalwart Vince Karter. White takes the power position, putting a leash on Youngs and leading her to Karter, having her blow him while White bounces her boobs on Youngs' head. There is substantial give-and-take in this scene, with Youngs and White both taking their pleasure with Karter before the double facial finale.

The next scene, with Anna Claire Clouds, is micro-directed by John Stagliano, who starts staging business ("Can you, like, bounce your boobs on her ass") and postures ("Let me get that arch ... no, sit up straight") in classic gonzo fashion, also zeroing in on Clouds lasciviously licking her upper lip. The scene takes a turn what they put Stagliano on the floor and threaten to take his pants off as White puts on his glasses and drops her boobs on his face, followed by White taking the camera to record Clouds bouncing her stretch-pants-clad ass on his face. Stagliano takes the helm again, comparing White's pressed-together boobs to Clouds' ass, and getting in tight to show White's tongue pleasuring Clouds' holes before the toys enter the picture. The scene features good use of a mirror, occasionally catching Stagliano getting the action on camera.

To conclude, like the '70s Golden Age movies, the finale is a massive orgy, in this case a seven-guy blowbang directed by Jonni Darkko, with White in the cut-out white dress she wears on the cover.

The production was designed to look like early-2000s gonzo, with a 1.33 frame, basic color palette wardrobe, and classic locations and cameras. Each scene ends with BTS footage, which pads the running time but also adds value inside the video instead of as an extra.

At the 2025 AVN Awards, Fuck Angela won Best Star Showcase, and the Zac Wild scene was nominated for Best Anal Sex Scene, the Lexington Steele go-round for Best Boy/Girl Sex Scene, the solo for Best Solo/Tease Performance, and the blowbang for Best Blowbang Scene. Plus, solo scene director/BTS camera/straight man Aiden Riley was nominated for Best Non-Sex Performance.