Four vignettes with incest-themed setups. Samantha Rone's hike up a hill with Jake Taylor is sprinkled with conversation about an ill-timed breakup ("I feel like my whole summer is ruined") before she snuggles against his chest and says, "I'm so glad you're my big brother. You're, like, the best stepbrother ever." He resists her advances for almost a full minute before a quick kiss and a sunny uphill run to ... a bedroom. Rone wastes no time getting big bro de-pantsed and sucking him to full erection (with POV and some provocative softcore shots focusing on her eyes) in a fun, playful scene of two sexually-experienced people getting together to fuck, unmarred by I've-never-done-this-before style play-acting.

Allison Moore strips and undulates in a dramatically backlit outdoor tease sequence before we meet Dane Cross, drinking a beer and telling a friend about the hot girls at school. Moore, Cross's stepmom, notices that Dane is home early from college and his grades are not up to snuff. Cross points out that "maybe I need a woman in my life—like you—to motivate me" as he leers at her tits. He says he has had dreams about her, and describes one as she bites her lower lip. "Do you think that would motivate you?" she asks—and jumps across the table to kiss him. "Call me mommy," she tells him, and he does, as he does some distinctly un-mommy like things with her in a scene that plays like a surreptitious quickie between two people who Really Shouldn't Be Doing This.

Miley May's peekaboo-titty tease is followed by her walking in on "big brother" Codi Lewis, nose pressed into his smartphone, saying, "That Miley Cyrus is really hot." Harold Pinter or David Mamet would delve into why this guy is turned on by the singer who resembles his stepsister, but our director at hand, Jim Powers, has her imitate Cyrus for Lewis, stripping down and giving him a lapdance, asking him, "What would you do with Miley?" He would do plenty, climaxing with giving her a facial.

Alaina Kristar works out her (step-)daddy issues with Richie Calhoun, who has grounded her for coming in late. He responds to her attempts to make nice with a cynical, "Those theater classes seem to be working," but when she moves on to what she learned in sex ed, he is surprisingly amenable. Powers gets his creative freak on in this scene, including a momentary shot with Calhoun's hard cock front and center dominating the frame as Kristar strips in the background, some interesting business involving Calhoun's tie, and a from-behind view of Kristar, legs spread wide, bending over to blow Calhoun.

Powers' let's-do-this aesthetic is on full display in this casual, fun outing. Those bothered by the incest themes can watch it in Wall-to-Wall mode.