Released | Mar 11th, 2015 |
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Running Time | 135 Min. |
Director | Dana Vespoli |
Company | DV Productions |
Distribution Company | Evil Angel |
Cast | Dana Vespoli, Manuel Ferrara, Dana DeArmond, Steven St. Croix, Stoya, Wolf Hudson, Eric John, London Keyes, Chad Diamond, Sovereign Syre, Jessa Rhodes, Carter Cruise |
Critical Rating | AAAA |
Four more liquid scenes from Dana Vespoli.
Opener, after a rapid-cut introductory sequence, has a blinged-out Manuel Ferrara wearing a leopard-print banana hammock watching Carter Cruise and Jessa Rhodes in an inflatable swimming pool in front of a limbo-like white background. He pops a champagne bottle on them, bracing it against his crotch in a moment of foreshadowing, then the leopard shorts come off and he joins in the festivities. There is give and take and a feeling of fun in the scene.
The next scene is a London Keyes blowbang on a black background, with the participants wearing black clothing, mostly, and one strap-on ringer just to keep it interesting. Dana DeArmond cheerleads and encourages Keyes throughout, including dunking Keyes' head in a water trough, and Keyes gives the strap-on as much attention as the real penises that thrust toward her face. Although the strap-on doesn't reciprocate the attention.
Sovereign Syre interviews reclusive Xavier Conrad (Steven St. Croix) about "the charges that were recently dropped against him." He explains that the accusations were made by women who wanted their 15 minutes of fame and tried to get it by accusing him: "It's easy for people who want fame to make themselves a victim ... everything we did was consensual." As he discusses the accusations, she gets visibly turned on, and when she turns the conversation to herself ("What do you see when you look at me?") they get into a give and take that leads her to being bound and blindfolded, nude, in his bathroom as he lightly flogs her tits and tickles her clit with unused rope. A spirited D/s scene follows, with Syre eventually unbound and getting it on with St. Croix. The sudden post-pop blackout (and subsequent, "You OK? Everything fine? You weren't coerced, right?" dialogue) gives the impression that Syre safeworded out, but until that abrupt ending, a solid scene.
Closer has Vespoli in Edward Scissorhands drag in a cartoony setup with Stoya that leads into an intense, almost silent g/g scene—until Vespoli tongues Stoya to an apparent orgasm in mid-scene, momentarily breaking the silence.
Visuals are eye-catching and the players look like they're having a good time.