Erik Everhard in four anal-inclusive Euro-scenes with local talent.

Director James Deen is in no hurry here, as evidenced by the sleepy morning opening where luscious blonde Haley Hill wakes up next to Everhard, goes to the kitchen for a morning sip of water, then returns to give Everhard a wake-up blowjob. Things move quickly once Everhard is up, as Hill climbs on and he starts fucking up into her like a man possessed, grabbing her ass and flipping her over for some oral reciprocation and a full-throttle mish that transitions into anal. The scene is bathed in natural light and plays like an early-morning improvised fuck, with facial-reaction shots complementing the sex action.

Brunette beauty Anita B dances for Everhard, pushing her ass in his face as he directs her ("Shake it ... get on your knees, let me see it") and then climbing onto his chair and dropping her pussy on his face. There's a lot of handheld camera action in this scene, moving from point of interest to point of interest, capturing the odd Dutch angle and giving a feeling of you-are-there intimacy.

Christen Courtney pensively preens in a mirror as Everhard walks up from behind, pulls her sundress up and her knickers down, and starts in on her. She keeps facing the mirror, watching herself as we watch her in duplicate. When he turns her around, the action speeds up, with blowjob, pussy-eating and standup doggie-fucking bent over a kitchen counter in quick succession, leading to anal.

Closer has Cherry Kiss walking into Everhard's apartment and snuggling with him on the couch as he watches TV with a remote in his hand. When he asks, "Can we do it after the game?" she pouts and leaves the room, coming back a moment later in lingerie. When he drops the remote and walks to her, she retreats behind a glass door and starts teasing him through the glass. It doesn't last, and an enthusiastic, acrobatic scene follows, with the handheld camera keeping up as best it can.  

Everhard continues to be solid, dependable male talent, his scene partners are pretty and enthusiastic, and the scenes are eye-filling and creative, with natural light and a feeling of intimacy. Well done.