Clive McLean steps things up a notch this time out in Barely Legal land, which is to say the scenarios are a little less routine, the sex a little bit hotter and the camerawork considerably more dynamic. McLean has brought in a remote control crane to mount the camera on, making for a marked departure from the static shots common to previous BL's; there are swoops and dollies and all sorts of nifty camera choreography, bringing stroke-tastic life to these five very solid scenes.

Pre-nom for Best Vignette Release.