What makes a great female solo sex scene? First, you need a performer who has the ability to lose herself in the scene, bring herself to orgasm and involve the viewer visually and mentally. And the right director, in this case Patrick Collins, must shoot the scene so that the girl never loses that connection with the home viewer.

Prinzzess, the seriously sexy blonde previously only seen in Girlfriends Films lesbian movies, is such a girl. Her smoldering sensuality slowly gets released as the intensity of her masturbation increases. First with fingers and then with vibrators, she makes that eye contact and then retreats into her own orgasmic flurry. She looks into the camera and says, “Should we do that again,” and cums using a circulatory vibrator that grinds her pussy.

Charley Chase spreads her panties for the camera and knows how to work it as she jerks off her clit while sliding a finger in her ass. She lubes up and shoves mutiple toys in her crotch, at one point doubele penetrating herself, and then writhes and rolls to orgasm, seemingly entering another conciousness.

And thin, natural brunette Aiden Ashley fucks herself hard and nastily with multiple toys. She literally ravages herself, ultimately cumming with the help of a multi-prong rabbit.

The other five scenes also work well, and every one has a different tempo. Heather Starlet is slow and careful with her cunt; April O’Neil strectches her long legs and turns herself upside down on stairs, using multiple vibrators; the multi-pierced, pretty blonde Kylie Reese dances seductively for the camera and fingers herself before penetrating her vagina with a series of toys; Sophia Santi works out the whole Doc Johnson collection; and Alexa Rae works her large natural breasts before banging herself with her hand and some toys.

All by Myself 4 is not your usual solo DVD, as director Collins puts as much imagination into each sequence as if it were a fully-mounted hardcore boy/girl scene. Definitely worth it for fans of any of these eight girls. Very short BTS (basically Collins interviewing Charley Chase) highlights the extras.