|Released||Jun 08th, 2010|
|Running Time||69 Min.|
|Company||Dana Dane Productions|
|Cast||Brooke (formerly Brooke Banner), Louisa Lanewood, Larin Lane, Dia Zerva, Alyssa Reece, Hayden Night, Franziska Facella, Rebecca Blue|
Erocktavision 11 showcases how truly erotic our technological world can be as we watch Brooke Banner and Franziska Facella get each other off with some naughty voyeuristic behavior as they watch and video each other in front of a large projection screen. Director Dana Dane then takes us out to the high seas for some motion in the ocean with a steamy boat ride between Dia Zerva and Hayden Night. Followed by a hot masturbation scene by Louisa Lanewood and Alyssa Reece that will have you masturbating right along with them and getting off anyone you may be watching with. Followed up by Dane making us all a willing prisoner as Larin Lane and Rebecca Blue captivate us with their naughty guard/prisoner relationship.
This edition of lesbian auteur Dana Dane’s signatures series comes in a bit on the terse side at only 69 minutes (apropos running time, though, eh?). And while it’s not the best installment, nor the most stroke-engendering all-girl fare you’re likely to find on the market, it does convey a level of genuineness to the girls’ enthusiasm about the proceedings that lends it some erotic strength.
The biggest problem here is Dane’s fascination with often purposeless digital effects and editing tricks—for example, there are multiple instances of looped actions like one girl rubbing up against the other’s backside … again, and again, and again, and yet again. On top of that, that last five minutes of the already short movie is nothing but a montage of snippets from all its scenes.
That said, the opener employes a truly interesting concept: As Brooke Banner and Franziska Facella go at it on a zebra-skin rug, the action is projected on a giant screen behind them, creating a house-of-mirrors effect. It’s easily the hottest scene of the disc. A close second, however, is the prison cell tussle between Larin Lane and Rebecca Blue.
We also give Dane props for her ambitiousness in setting the Dia Zerva/Hayden Night scene aboard a moving boat, and for the choice pairing of tantalizing brunettes Louisa Lanewood and Alyssa Reese … even if it doesn’t live up to its potential promise.