Jessica Drake has abandonment issues: Her cop dad left her alone for days at a time, and merely saying "I love you, kid" when he returned just didn't cut it.

But even when Jessica decides to become a psychologist, her loneliness doesn't go away—and things begin turning particularly weird when boyfriend Det. Eric Masterson is assigned to track a serial killer ... who, it turns out, might just be one of Jessica's patients, Brad Armstrong, who's also a cop.

All of the sex scenes are good—we particularly liked cops Mikayla Mendez and Alec Knight getting it on in the office, and later, the inevitable Jessica/Brad match-up—though none nomination-worthy. Since Michael Raven wrote and directed, there were bound to be introspective soliloquys and pensive looks, but here he really manages to engage the viewer in the lives of his characters, which keeps the viewer guessing and only heightens the terror of the movie's final scenes.