Though it boasts a good female cast, the real star of this very distinctive Patrick Collins title is the white porcelain toilet around which its four scenes center.

Probably because of its association with gold and brown showers, the glistening white object reeks of kink, setting a perverse tone for the production (as do all of Tails' glory holes). Hell, it's even elevated on a makeshift stage of sorts, as if an object of worship.

Apart from those fetishy trappings - many of the women are dressed sizzling fetish-lite-like - the sex in general is of the pretty non-fetishy, straight-ahead oral/vaginal/anal/facial pounding variety (with a few uniquely rank touches), handsomely shot, frequently stylishly so, alternating between beautifully moody black and white and color.

Two of the four scenes rock very hard. One is the imaginatively structured opener featuring Venus, Cytherea, Kurt Lockwood and several anonymous guys behind the aforementioned glory holes. Highlights include, but of course, Cytherea doing her geyser-like squirting thing, this time all over Venus's fine kisser, and a different little something in which one of the glory hole dudes shoots his load into a rubber, after which Cytherea blows the condom up into a butt-plug shape, deep throats it, then squeezes the funk out into Venus's mouth.

Scalding also is the closing pileup, starring Nicki Hunter (this reviewer's idea of a porn star: blonde hair, big fake tits, fishnets and giant black whore heels) whose face just gets drenched by a strong, seemingly never-ending stream of water made to look like - with this title, what else? - piss coming from off-screen, Gia Jordan, the unretired Liza Harper, Randy Spears and two anonymous guys with cloths masking their faces.

The two middle scenes featuring the also unretired and newbie Kody Coxxx, are considerably less impressive.

Pre-nom the opener and the closer for Best Group Scenes, William H. and Derek Newblood for Best Videography, Graham Travis for Best Editing, the uncredited whomever for Best Music, the title itself for Best All-Sex Release and Collins for Best Director - Non Feature.