|Released||Apr 01st, 1992|
|Cast||Rocco Siffredi, Anthony Marko, Louise Armani, Flavia Voltage, Tracy Gibb, Nikki Pearce, Sara Walker, Joy Karins, Phillip (I), Louise Pike, Christine de Bausseand|
The only drawback I can see with Buttman's European Vacation II, is that Stagliano, in some instances, forgets to check things from the neck up. Without naming particular names, there are a couple of honeys who, on this vacation, should have been left in the steamer trunk. I suppose I've been spoiled by the first European Vacation, where every sex scene is light years ahead of the norm in this business. EV II pales a bit in comparison to its parent.
Continuing his mythical game of pursuit and capture, Stagliano is scouting out a London location for his friend Rocco. He follows pretty blond Nikki Pearce into a lush hotel room. They start to have a strange conversation about bidets and modeling. Pearce is a willing accomplice to take off her clothes if it will get her some modeling work in America, and she does a genteel strip. Stagliano, of course, gets his hands right in there, and Pearce spreads her cheeks obscenely wide.
Blonde Louise Armani is one fabulously sexual babe as we saw in An American Buttman in London. This time, Stagliano sees her strutting around in a square across from Buckingham Palace. His camera checks her out with girl watcher's relish. After she comes to the hotel to visit Rocco at the behest of Stagliano, Louise and Rocco trade some dirty words in Italian, and Rocco goes to work on her butthole. It's a wonderfully hot sex scene with Rocco shooting loads of jizz on her ass.
On to Paris and a nighttime scene of the Eiffel Tower where Stagliano runs into Joy Karins whom we met In EV I. She poses and tantalizes in the night air. Karins partially strips in the lobby of a building arcade — a scene which is intercut with a strange lesbian duo featuring Flavia Voltage and Christine de Bausse and drilling each other's butts.
Now comes a confusing transition sequence in a hotel room featuring Stagliano joining in a group session. There always seems to be one overextended sequence in these travelogues, and this Parisian segment may be it.
The show's finale is a night time outdoor scene in London's theatre district. Rocco pursues British model Tracy Gibb, who looks like a dimpled Ellen Barkin with huge gazongas. In typical Buttman style, Rocco first sneaks her Into a doorway and gropes her tits In public. Gibb proves to be more than a formidable match for Rocco.
At this point, store owners might consider establishing a Buttman specialty section. You must stock this series.