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The Tattle-Tail

The Tattle-Tail

Released Mar 31st, 1994
Running Time 90
Director Mark Stone
Company Moonlight Entertainment
Critical Rating AAA 1/2
Genre Gonzo

Rating


Reviews

Though her reputation as a fairly hot dancer on the Canadian circuit proceeds her, brunette Maggie Mae possesses an appeal that will strike different chords of appreciation.

Personally, she reminds me of a Slim-Fast Julie Kavner with an unarticulated Dana Delaney chin, but the woman can certainly solicit screen heat. Her sexual zeal coupled with Mark Stone's sprite, inventive camerawork turns this tape into a bonafide work of art, with enough overt close-ups of Joey Verducci's dick to satisfy the masochistic penis envy in all of us.

The interview style is something which Stone has pretty much patented on the gonzo market being, arguably, the first producer to bring the 501 Jeans commercials look to XXX. The sex, on the other hand, is played more close to the vest, with less visual braggadocio, but with an occasional concession to aerial reconnaissance photography.

After a big buildup in which Joey Verducci, again, puts his swagger into full view, Maggie takes him on, commenting that she'd bet against Joey V. giving her an orgasm— some­thing which she hadn't had for three weeks at the time of this taping. It's not clear whether Joey makes good on his promise to deliver, but the scene delivers satisfactory grades for exposition, with Joey always managing to lend a slam-bang performance.

Dyanna Lauren relates her first girl-girl experience with Lene Hefner prior to sharing spit with Maggie. As sapphic scenes go, this one's fairly a la carte, though a fleeting dildo makes an appearance in the final stages of the girls' 69 encounter. Not much on real pervasive action but good ass shots render a satisfactory side dish to the main course.

Maggie's fantasy, though, is realized when she gets to pair up with legendary Randy West in a scene that's highlighted by West taking Maggie doggie style and riding her mane of hair like Charlton Heston piloting a four-horse chariot. Though the wet shot is minimalist by some standards, both performers give this scene a rousing, virtuoso effort.

A good addition to your gonzo section, keeping in mind that Moonlight leads the pack in this specialized arena.



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