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All models were at least 18 years old at the time of their performance. 18 U.S.C. 2257 Record-Keeping Requirements Compliance Statement.
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Anal Adventures Of Max Hardcore

Anal Adventures Of Max Hardcore

Released Sep 01st, 1994
Running Time 120
Director Max Hardcore
Company Zane Entertainment
Cast Debbie Hopkins, Max Hardcore, Anna Malle, Vanessa Chase
Critical Rating AAA 1/2
Genre All-Sex



Why bother dating? Max does all the work. For the price of a rental you can check out a stock car race, go to the beach, dance at a Cinco De Mayo festival, get a lecture on contemporary architecture ("I don't know what the fuck it is, but it's famous!"), and oh yeah — bone a few babes up the ass. Save the gas money and let Max get you laid.

Max's latest menu is a jambalaya of anal interaction — two hot tomatoes and one very cold fish. Anna Malle, a Latina lass with giant tits and a foul mouth, performs some rather lewd public dancing before Max charms her into a heated state which commences in his car and graduates to his backyard.  While he spreads her butthole with a chrome device that resembles a proctological garlic press, Anna learns the Hardcore drill is a Nietzschean concept ("What does not kill you makes you stronger").  Though her screams of passion are as sincere as a carnival shill (my sympathy, doll) she's soon into aggressive deep throat, analinguis on the Maxman and backdoor slamming with a facial topper. Slut lovers will eat this up.

Better yet: pretty, petite Vanessa Chase plays cat 'n mouse with Max at the Long Beach Grand Prix, tantalizes him with a semi-public blowjob at the Queen Mary, and lets him ravage her compact, meaty buttocks after he first cuts off her spaghetti strap dress with a Swiss Army knife. Of all the pick-ups that Max has encountered, Chase ranks high as one of the most natural, provocative and enthusiastic.

If Debbie, a trim blonde beach bunny, had one third Vanessa's abject devotion to anal satisfaction, her segment could have been absolved, but from the get-go it hasn't a prayer. Debbie treats the sexual act as if it were a midnight ATM transaction at Florence and Normandy, and to make matters worse, the camera finds a comfortable nesting place atop a tripod and refuses to budge. This pitch is high and wide.

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