Ona Zee portrays a hard-ass detective, hours away from early retirement. Her last call is to a sex club, where all sorts of bizarre happenings occur and where sex is more silent than anonymous, as she investigates a homicide.

Before going into details, I would like to offer compliments on the creative portrayal of life in the club. Elegant, erotic slo-mo segments combine with creatively constructed color-to-b&w shifts, a throbbing musical beat and dramatic lighting make for a very pleasant viewing.

Jeanna Fine is superb as a sex maniac who couples with Tony Tedeschi. Fine brings a new interpretation to the word "intense" many times throughout their encounter. For example, when nasty Jeanna is getting off from Tony's lip service, she (in a very heated and obviously uncontrollable moment) decides to hold him in a deep throat lip-lock position as she achieves and enjoys her long orgasm.

Living a bit too dangerously, one might say. Tony says nary a word throughout, and Jeanna steals the feature with her emotional performance as a potential multi-personality murderess.

In a similar manner, this entire feature is a visual treat. The club's participants/performers consist of beautiful people styling and profiling. No ersatz appendages needed here; these people get right into it with their own physical equipment. The opening sex scene has Emily and her slo-mo bouncing boobs getting screwed by one guy as another whacks his lengthy pecker on her quivering mammaries. She continues by riding one hand and blowing the other before really getting into a slap-happy, deep, and very chummy d.p. and messy facial.

Ona nearly makes it out of the office, but her last homicide case involves an interrogation of Jeanna. Miss Fine goes through an array of personae that would make any method acting instructor proud. Though Jeanna is obviously the killer, or at least the snapped-out portion of her is, the intriguing dilemma of prosecuting one psychopathic personality vs. the remaining (innocent) people, arises.

Other notable segments in this finely spun character/mood piece include the erotic and appetizing Kaitlyn Ashley getting in the butt while on a swing. It's much too brief, but still worth every on-screen minute. Kimberly Kyle, on some sort of elevated platform, provides a reasonably deep throat treat and likewise receives it from behind in a very explicit anal from Alex Sanders.

A final three-girl fling with Anna Malle, Jeanna, and lovely Rayveness top off this very amatory offering. This combination of a sweet Southern girl (Rayveness), been there/seen it all Las Vegas resident (Anna Malle), and over all nasty wench (Jeanna Fine) is a spitting, sucking, and intense moaning and groaning adventure into pussy chewing tri-girl action.

Last is Ona who, carried away with interrogating Jeanna while performing an intimate full-body search in a prison cell, finds herself behind bars for taking it too far. Watching these two together reminds me of "Psycho" gone amuck and converted into an adult feature.

Razor's Edge is very intense, and the best offering from Ona Zee Productions to date. A combination of great acting and great sex is a hard one to top. Stock in quantity.