This film would rate at least a 7 even if all it consisted of were Chasey, naked and sitting on the edge of her basement pool, playing with her pussy. Fortunately, it's an activity which she spends many minutes doing in this intriguing, volcanic and highly erotic production. We'd nominate her solo action if we had such a category.
but it's also the presence of first-class camerawork, decent supporting performances an and amusing storyline that pushes Nymph into the sexual "high country," and makes it a pre-nom for Best film.
Chasey plays the title character, a young Indian girl senselessly killed 200 years ago at the foot of a spring, who's returned to haunt the apartment building erected on top of her watery home. Of course, the "haunting consists of giving sexual pleasure to all the building's residents - all males, strangely enough - whenever they take a shower or turn on the spigot. She erases their memories afterwards, but nothing can wipe the shit-eatin' grins off their faces.
It's not as if women are rejected, though; far from it. When Vouyer's girlfriend Kirsty Waay is left alone to grab a quick shower, it only takes moments for Lain's co-sprites Dorian Grant (here dubbed "Toni") and Kitty Monroe to arrange a Sapphic strap-on sexfest in the tub.
But all the delicious eroticism has just been leading up to the nom-worthy three-couple finale, which starts magnificently under the building's sprinkler system before moving to Vouyer's apartment. Ralph Parfait's nom-worthy camerawork practically caresses Lain, Monroe and Tracy Love as they first suck partners Vouyer, Alex Sanders and T.T. Boy, then take the boys horsie, mish and cowgirl style. Both blondes get ass-reaming from Sanders and Boy before Love laps Boy's sperm and Vouyer soaks Lain's tits with his love-juice.
Kudos to everyone involved. This is one of the best products to come from Vivid in recent memory, and deserves a recommendation to any customer looking for both steamy eroticism and highly-wankable sex.