This is amateur in its most basic incarnation. Big Daddy really, the man himself, is keeping it realy in Philadelphia. he's got a video camera, some able and willing bodies, and, sometimes, a hotel room. he shoots action in real time, and does not seem to edit. In a few of the tapes it appears as though someone is manning the camera, but oftentimes, the camera is on autopilot-static - and it does notreally follow action as it moves out of the frame. Performers are African-American and all-natural, some with very full muffs. Big Daddy Redd, the man himself, is a soft-spoken, heavy-breathing man who has a bit of paunch and likes to keep his socks on when he fgroups.

Vol. 41 has four scenes (one of which is hot outside) near the Hollywood sign in Los Angeles. It features a woman masturbating.

Vol. 42 is probably the best of these five, beginning and ending with some lesbian action, and including some hot gruop sex. Big Daddy Redd's male friends have fine bodies.

In Vol. 43, BDR takes his video camera on the road, checking out the girls on the Virginia Beach boardwalk before finding a couple of them looking for a starring role. He takes them to a hotel and fucks them, handing the camera over to a friend, who manages to keep most of the action in frame.

Vol. 44 features some very prolonged b/g missionary fucking and pussy-eating between two of BDR's buddies in a hotel room. BDR, the man himself, makes a very brief appearance in a Michael Jackson T-shirt, and cums all over the woman's chest.

In Vol. 45, BDR fucks two different women in two different scenes, one wearing engineer's boots, both in an anonymous hotel room.

Throughout the series, tapes suffer from glitches, muffled and/or echo-y sound, and curious framing. The lighting is adequate, but most of the performers look a bit nonplused about appearing in this project. None of the women seem to even come close to climaxing, and the majority of them look bored.