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All models were at least 18 years old at the time of their performance. 18 U.S.C. 2257 Record-Keeping Requirements Compliance Statement.
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Black Knockers 45 & 46

Black Knockers 45 & 46

Released Sep 01st, 1998
Running Time 79, 78
Director Me Mo Nasty
Company Visual Images
Distribution Company Legend
Cast Nikki (I), Camille (I), Cuba, Lennox, Weed, Kira (I), Champagne, Lexington Steele, Millenium, Byron Long, Tony Eveready
Critical Rating Not Yet Rated
Genre All-Sex



Black. Big boobs. If they work for you, these tapes have \'em.


These tow Black Knockers are a lot like those plain-wrap goods at the supermarket. Not the greatest product in the world, but of quality. The background music may be cheesy, but at least there is background music; the director’s instructions have been edited out; the women are not buffed-out glamour pusses, but they are attractive, and they do have big black knockers. Post-production is similarly no-frills, with shots running long and a minimum of editing and camera tricks. Each offers four scenes. Five of the eight here take place in the same oddball setting: a corner of a room with one beige wall, one cinderblock wall with an iron fence in front of it, and a large bed covered with a green patterned sheet. That sheet must have gotten pretty skanky late in the day…


Vol. 45’s opener has a match between Tony Eveready and Lennox, who gets in the mood when the cameraman tosses off-brand C-notes at her. There’s a lot of aggressiveness in the scene, but there’s also a quick postscript where Lennox says, “I loved every minute of it.” Change of pace in scene three has Tyra Butts coming on to a muscleman by a pool, the luxurious location a startling contrast to the room-corner set.


Vol. 46 starts with a bemused Nikki facing Tony Eveready in the room-corner, including a long sequence where we see mostly the back of Tony’s head as he marathon-eats Nikki’s pussy. The last scene, with veterans Kira and Byron Long, has some comedy value, with Long playing an inscrutable Asian type.

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