Stoney Curtin has obviously learned many things at the knee of mentor Seymore Butts: the way close close up. The beyond-first-person camera work where the lens stands in for the cameraman's retina. The sexually voracious female characters, a sort of over-the-top send up of the gee-I'm-horny-let's-fuck bimbos familiar from dopey loops that date from the '50s and before.

But Curtis has added a few new wrinkles of his own, notably the vintage cars that push the girls into erotic overdrive. He also has an eye for the odd camera angle and knows how to use a location.

This go-round features four car-based sequences, ranging from little-seen Orange County locations (There is porno south of Mulholland Drive, after all) to familiar public places like Tower Records on the Sunset Strip. Scenarios are simplicity itself: Basically, let the car do the job of seduction.

Half the sex scenes are outdoors in natural sunlight, the editing is superlative (The "No Fast Forward Guarantee" on the box indicates that Curtis has already discarded the filler footage must viewers fast-forward through), and the people are hot. Like Terri Starr getting butt-banged to a series of eye rolling O's, for starters, or Curtis checking in with a location house owner and coming back to find Montana Gunn and Tracy Love double-sucking Tice Bune's dick. Anal in the first four scenes, and facial finishes across the board.

The fifth, non-anal, non-car based one with Curtis and Cortknee serves as a coming attractions teaser for Hot Bods 4.

I can't wait.