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All models were at least 18 years old at the time of their performance. 18 U.S.C. 2257 Record-Keeping Requirements Compliance Statement.
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Return to Planet Sex

Return to Planet Sex

Released Jan 01st, 1999
Running Time 91
Director Anita Rinaldi
Company Skinflix
Cast Yvette, Leslie (I), Julie (I), Nelly (I), Frank Gun, Andrew Youngman, Mary (I), Yosette, Lisa (I), Jolt Walton, Anita Blond
Critical Rating AAAA 1/2
Genre All-Sex



Eagerly direct every single customer you have toward this gem. No one will be disappointed.


Warning: This vid should not be viewed by those with heart conditions. The best word to describe Return to Planet Sex is phenomenal. You will be intrigued, captivated, and your sex drive will be revved up enough to run the Daytona 500!

Anita Rinaldi hops into the director's chair once again, having made a fine directorial debut with the original Planet Sex, and enlists some of the premier talent in Europe for RtPS. Stellar production quality, an imaginative director, and breathtaking sex result in a video that's surreal, seductive, and intoxicating.

Rising from bed and venturing to a large bathtub, Anita Blond sets the sensual tone of this video as she caresses and bathes her arousing figure. Blond (who is, incidentally, raven-haired here) wins viewers' hearts as she lovingly sucks Frank Gun's cock, and the two have sex in multiple positions in and around the tub. The superb videography is underlined by a part of this scene where, during some doggie, the camera rests beneath Blond, allowing not only a great penetration shot but also an amazing view of this woman's perfect body as bath milk runs along its curves. A classy facial (yes, there is such a thing) concludes the scene, which fades out after a deep look into Anita Blond's enchanting hazel eyes.

Walking down a hotel hallway, a stunning blonde in a business suit observes a variety of sexual escapades (such as a man with a pig's face eating out a girl in room 666) before being taken into one of her own with a well-hung stud. Surrounded by dozens of candles in the middle of a chamber, the sex between them is fast-paced, culminating in an anal doggie that would please even the most jaded of porn fans.

A black-and-white checkered room is the next setting in our progressively surreal vid. This scene is highlighted by the reverse cowgirl that Andrew Youngman shares with a tall brunette, not to mention the standing doggie anal that seems to have been patented by the guys in this tape.

If the rest of this feature (or this review, for that matter) has inspired you, then the final scene will completely blow you away. It has to be one of the finest sex scenes ever shot. Two absolutely gorgeous girls, one with neon blue hair and the other with bright pink hair, slowly descent on silver lifts to greet Frank Gun and Zenza Raggi. The four create a kind of human sex ladder on a metal staircase, with Raggi at the bottom licking one of the girls' pussies as she sucks Gun, as he licks the other girl. The coup de grace comes when the girls are in a sort of 69, while Gun delivers an anal doggie to the top girl as Raggi takes the road more traveled with the bottom girl.  Like all good things, this scene has to come to an end, but a d.p. and double cumshot make it a little more easy to bear.

Bridging each scene is footage of the lovely directress herself, who dances and teases playfully, albeit briefly, before the camera. Behind the camera, Rinaldi oversees the immense effort that has gone into this video. The camerawork is flawless, the lighting and visual effects are top-notch by any standard, and the editing is awe-inspiring: so precise that all (sex) position changes have been left on the cutting room floor, leaving nothing to slow down the action.

As this work was produced from the heart, so do the following pre-nominations come from the heart: Best All-Sex Video, Best Foreign Release, Best Director-Video (Anita Rinaldi), Best Videography (Antonio Adamo), Best Editing-Video, Best Group Sex Scene-Video (the finale), and last but not least, Best Art Direction-Video (Ami McDowell).

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