I've got it, boys. We'll fill the screen with tits."

—Attributed to Josef von Sternberg

Well, it took 50 years and the invention of the portable camcorder (and a serious re-evaluation of How To Act In Public), but von Sternberg's vision has come to fruition in this three-volume collection of pre-Lenten revelry in the street of New Orleans.

The stalwart GM crew has delivered some four-and-a-half hours of women baring their breasts in exchange for strings of beads. Boobs of all kinds are on parade: big, small, round, flat, full, droopy, old, young, tattooed, pierced, painted, natural, enhanced, reduced, tanned all over, partially tanned, pale, et cetera. The negotiation phase of the transactions has been mostly edited out, so it's all flash. After a while, a feeling of déjà vu sets in, but that could be because a woman who is willing to flash a camera for a string of beads once is probably likely to do it again.

Vol. 2 ups the ante a bit, going for pussy exposure and a bit of boob-sucking. Also a confrontation with a woman who points into camera and say accusingly, "You're a pervert." (Whatever led to this accusation was taken out. Maybe she was right. I don't know.) Vol. 3 goes even farther, with a scene of g/g/ pussy-munching in a crowded bar, a bit of dildo in-out, and a long sequence involving pouring various liquids over a winner of a wet T-shirt contest.

Occasionally a tight close-up of a pig's snout will break up the action, which got my attention (and my thumb off the Fast-Forward button.) All three also have scenes of women peeing, and Vol. 2 ends with a scene of a woman peeing into (and around) a beer bottle. The cameraman says, "Let's get an empty one and you can pretend to drink it." And she say, "I'll drink it," and it's down-the-hatch. Real or fake is hard to say (there are some cuts in the sequence), but if you're in a jurisdiction that may compel you to answer this question in court you may want to steer clear.