Cherry Kiss celebrates her new home of Los Angeles in this video, starting with drone shots of locations ("Everything is big, especially houses where we shoot"), showing the communities ("Malibu is my favorite, makes me think 'Am I ever going back to Europe?'"), and reveling in the salons ("They have everything. They do everything. And they do it well.") Her first stop is in Chatsworth, where she meets fellow Euro-expat Vince Karter, who has gone native, rolling up in a convertible BMW. Their reunion chitchat is punctuated by Kiss throwing in, "I wish to fuck you, by the way," which he takes in stride, and pointing out camera op JJ, who they both wave hello to. When they get inside, out of the Chatsworth sun, they head to a bedroom, pulling each other's clothes off as they go, and when they hit the bed, Kiss plays to camera throughout, often talking directly to the viewer, and, in a moment of exuberance, fisting her pussy as Karter diverts his cock to her mouth and she squirts across the bed. At scene's end, invigorated, she tells Karter, "Let's go to the restaurant!" and they exit screen right.

Katrina Colt is up next, in a scene starting with a gonzo-style interview ("I love being on set, I love getting to embrace my sexuality and ... be a dirty slut every day.") The opening tease intercuts outdoor shots in evening gowns at sunset and interior shots in lingerie before settling into a living room with an alabaster fireplace, with Colt warming up her ass with a dildo before Kiss comes in, bearing a dildo of her own and saying, "You didn’t wait for me," and Colt responding, "You were taking foreverrrrr." Kiss looks into camera and purrs, "This is first American pussy I've had ... and asshole of course." Colt helps Kiss out of her yellow dress and they get started, with Kiss gaping Colt with the dildo and sitting on Colt's face, moaning, "She's so good!" before settling down into a 69. Colt returns the dildonic favor on Kiss' bum before Kiss gets a lube bottle and teaches Colt how to fist her pussy, first demonstrating with her own hand and then guiding Colt to do the same, leading Colt to grin into camera, "I don’t think I'm ever getting my hand back." And just when the (re)viewer thinks the scene is over, Kiss straps on a strap-on and gets a second wind.

Karter is back for seconds in scene three, inviting Kiss inside as she suns by a pool. When she looks him in the eye and says, "My asshole is always ready for you, baby," he pulls aside her bikini bottom and lets his fingers do the walking. She reciprocates with a lengthy blowjob before she turns around and Karter fucks his way into the other end of her alimentary canal. The casual scene also includes a creative moment when Kiss wraps her feet around his shaft and then leans forward to blow him before some foot-jerking and, later, anal piledriver.

The final scene features trans performer Eva Maxim, introduced in an interview intercut with glamor posing. Kiss admits that she's never been with a trans girl before, but "I try to experience everything and in Europe I work with the same people over and over again, so I'm super happy for my first time. Okay, let's go to fuck." Kiss wastes no time going straight to the blowjob, eyeing the camera as she bobs up and down and Maxim moans, "Don’t stop," and when Kiss turns around, Maxim heads right into doggie. The scene plays a lot like a b/g scene, eschewing the lesbian-style romanticism often seen in trans/cis girl scenes, although the final cum-swap is a definite break from the regular b/g program.

Kiss is an exuberant performer and she communicates that pleasure right through the screen. A must for her fans and an excellent introduction to her for those unfamiliar. Welcome to L.A.