A girl, a boy, a lube bottle, a video camera. Pretty simple combination, and Pat Myne makes the most of it.

Rebeca Linares, blonde, busty, and with an outline heart tan-lined onto her right butt cheek, twerks on all fours in a teeny red bikini as synth music thumps. Soon the bikini is off and she's anointing herself with a squeeze bottle of oil, handing it off to Zac Wild. "Show me your tongue," she orders as she backs onto him, telling him, "Get in there," as he tries to get a grip on her oil-slippery ass. She sits on his face and then gives his cock a thorough oil-and-spit workout before he puts her on the white couch and goes to town. Director Myne does not spare the facial reaction shots, and Linares doesn’t spare her reactions either. After substantial backdoor action (why not, she's lubed all over) Wild pops his tribute on her face, with substantial boob spillover and post-pop sucking.

Tattooed Vanessa Vega opts for a white net top and white bike shorts for her tease, and with GOOD GIRL tattooed on one thigh and NASTY FUCKING BITCH on the other, Vince Karter has a choice. In the tease she oils up and reams her ass with a monstro black dildo and then her own fist as she grimaces with the effort, leading Myne to say, "Look at that! That's so fuckin' hot!" and Vega to respond, "I can feel my G spot from inside my asshole." Karter joins the party with Vega in piledriver position, making her ask for it before he inserts in her ass. She stays there for quite a while before climbing onto him in cowgirl—don’t mind us, we'll watch from back here—giving a good view of her back tattoos and Karter fisting her ass. Vega loses herself in pleasure here, sweating, drooling, groaning, tearing up her eye makeup, squirting as Karter fingers her G spot, taking his feet in her ass and pussy—and mouth—and laughing maniacally. By the time she holds her eyes and mouth open for Karter's pop, the viewer is just as spent as they are. Knockout scene.

Bree Brooks and Zac Wild have to follow that, and their anal-and-big-black-dildo inclusive scene is serviceable, and Jesse Pony and Wild have a good time in their oil-slathered scene (the big non-slip rubber mat on the floor is a clever, utilitarian touch) to close out the video.

An excellent addition to the Oil for Days line. Iron Horse kudos to Zac Wild for delivering in three of the four scenes here.