Three stylish one-on-one tease-then-fuck vignettes, each with a trans performer.

To the sound of sexy big band music, Ariel Demure and Kenzie Anne sashay through a curtain and dance on a nightclub runway in matching sparkly red dresses. (Any relation to a well-known mainstream two-girl dance number—20th Century-Fox, 1953, Howard Hawks—has to be totally coincidental.) They flirtatiously focus on a solo ringsider before turning their attentions to each other, especially when the music comes off, followed by the dresses. They pleasure each other casually, with chatter ("You’ve got glitter on your cock, like a good showgirl"), in a deliberately-paced scene on the runway.

To the sound of James Bond-y music, Foxxy cases a dark, smoky storeroom with Aiden Ashley. When they find what they're looking for—a briefcase with a shining light inside—they celebrate, pushing the boxes of flammable material off the table for more horizontal room and moving on when Ashley playfully says, "Come catch me!" and mounts a ladder.

Tori Easton and Charlotte Sins meet cute in a beach-themed boutique and are suddenly transported to a beach at a romantic sunset before reality sets in and they hook up in the moodlit boutique.

Director Stella Smut brings a stylized vision to the scenes—particularly in the pre-sex setups—and cinematographer J. Wolf delivers the images, shifting easily between stylized tease and matter-of-fact sex.