Four scenes. One has the interesting title of "Devil Dick," which apparently belongs to Oliver Flynn. You see, Adria Ray’s girlfriends go out of their way to try to keep her separated from him, but she just keeps coming back for the D. In this latest romp, he adds anal to her potential (and his guaranteed) pleasure—to which this highly verbal woman takes quite well.

In "Schoolmaster," a maid unearths an old diary while cleaning the rafters. She reads about a day in the life of a girl (Amber Moore) who is brought out to the woods for regular training sessions by taskmaster Maximo Garcia and forced, perhaps willingly, to submit to his kinky desires.

April Olsen shows off her kinky side in "Push" as, bound and gagged, she rides Oliver Flynn following a seduction scene with the two of them alone in a nightclub, complete with his suitcase of fetish devices. Her goal is for him to push her further and further to the limits of her desires.

Last, it is Gianna Dior’s "Nylon" that draws the interest of Isiah Maxwell in a bar, and once they lock eyes and the chemistry between them is sparking, they retire to a bed to cement this newfound connection. Under the spell of Dior’s near-hypnotis gaze, there is no question as to the outcome.

Kudos to director W.C. Walker for taking the helm of all four scenes and shooting them in an erotic, strategically appropriate way in regards to props, lighting and retaining the mood without losing the heat of these kinky moments.